Now appearing in Steel Magnolias! https://www.majestictheater.com/steel-magnolias

Cate Damon

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Cate Damon

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  • About Cate
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Reviews

"Who's Afraid of Virginia Woolf: 'As Martha, Cate Damon can bray with the best of them, but she keeps the vitriol in check for much of the evening, offering a more multi-dimensional portrait of a sexual predator and a woman of frailty.' - Hap Erstein, Palm Beach ArtsPaper.


Who's Afraid of Virginia Woolf: 'And so, when in those final quiet moments, Damon gives us a creature to simply be pitied, we marvel at her skill.' - Bill Hirschman, Florida Theater On Stage.


Who's Afraid of Virginia Woolf: 'Cate Damon is fantastic as the boisterous, bold Martha, a character constantly grappling with her identity and place in society.' - Samara Smukler, South Florida Theater Magazine.


Incident at Our Lady of Perpetual Help: 'Cate Damon...does a fine job of incarnating the quiet, pent up frustration of a life filled with drudgery and disappointment...only to rise to the occasion of new hope and subtle heroism...' - Carla Maria Verdino-Sullwold, Broadway World.


Glass Menagerie: 'Damon plays the main character with a spot-on Carolina accent and rapid-fire delivery...' - Max Hartshorne, maxhartshorne.com.


Glass Menagerie: 'Damon’s portrayal of the faded Southern belle maddens, devastates and entertains the audience at every turn.' - C. L. Blacke, inthespotlightinc.org.


Incident at Our Lady of Perpetual Help: 'Cate Damon, as sister and aunt in a crumbling marriage, is superb.' - Mark G. Auerbach, Berkshire On Stage.


Mamma Mia: 'Cate Damon gives a dynamic, intense performance, capturing the essence of fiercely proud, independent and empowered Donna. It is a vocally demanding role, especially during Act Two's emotionally charged, “The Winner Takes It All.”' - Kevin T. Baldwin, METRMag.


Rabbit Hole: 'Damon’s characterization adeptly captures the levels of grief, including its potential for solipsism, suggesting that Becca’s behavior is a response to losing not only a beloved son but also a sense of self.' - Heidi Holder, Hudson-Housatonic Arts


Vanya and Sonia and Masha and Spike: 'Cate Damon’s performance as Sonia is another riveting turn in an evening full of surprises.' - Louisa Hufstader, Vineyard Gazette.


Rancho Mirage: '...the excellent Cate Damon...' - Joyce Kulhawik, Joyce's Choices.


The Odd Couple: 'Cate Damon and Stephanie Carlson as the Pigeon sisters leave the audience in tears from raucous laughter in the date scene...' - Eric Johnson, In the Spotlight.


The Guys: '[Cate Damon and John Haag]...both these pros are excellent, giving low key performances that summon wells of emotion.' - Chris Rohmann, The Valley Advocate.


How the Other Half Loves: 'Neary and his cast nailed it perfectly, particularly Damon as the wined-but-not-dined hostess.' - Chris Rohmann, The Valley Advocate.


For more insights into her performances, check out Cate Damon's artist portfolio and subscribe to our newsletter for the latest updates on her work and more.

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